Monday, September 29, 2014

Writing process blog tour

Hello, I'm doing this blog tour. It's children's book authors answers same 4 questions on their blog, and tag another author for next.
The author who tagged me is Abby Hanlon. who is my neighbor, and she has this wonderful book coming out in few days. It's called "Dory Fantasmagory".  I haven't got my hands on the copy yet, but according to SLJ, it would be good. So that's on my 5 year old boy's next reading list.

And here's my 4 questions:

What am I working on?

I just finished the picture book called "PUDDLE"

It started 3 years ago, when I spent most of my time with my 2 year old son. It was one of this rainy day, we finished our routines long time ago, had snacks twice already, looked out of window so many times, and it was still raining. So we decided to draw "the rainy day". Well,actually I drew, and my son's eyes followed my drawing and he laughed, surprised and pleaded. That was the moment which become this book PUDDLE.

How does my work differ from others of its genre?

It's always been my question , but I couldn't find my answer just yet.

Why do I write what I do?

I love to read stories, watch movies, and listen other people talking. I'm pretty content with being a good listener or good reader most of time, but sometimes you want to tell your stories. We all have some stories to tell, aren't we?
Unfortunately I am not a good talker, when I tell the stories, my words jumbled, I mumbled.
So this picture book form is just perfect form to tell my stories,  I can mull it over as long as i want, if I couldn't find my words, I can just show you the picture!

How does my writing process work?


First, I have this idea. And I make up this story in my head and think about it for myself if it's good story or not. Usually for me it seems terrific at first. It seems most brilliant idea ever published. 
And then, I tell this wonderful story to my kids all excited, but obviously they usually said "OK" playing Lego. Even my 10 year old boy know what "OK' really means.(!)
Then I questioned this story myself little disheartened. 
But I start to write anyway, this time I drew this little boxes and draw tiny pictures in them(They call this thumbnails). It helps me to see the whole story line.  There's whole bunch of doodles following. Sometimes it works, and then it become a book.  But lot of times, it goes into the drawer.


When it looks like A book to me. I make it to a dummy and show this to my editor and my agent very nervously.


 They are super kind, and encourage me to work on for little more something. And that little more something could be question like "How does my work differ from others of its genre?"(-yes, I told you it's the question I haven't find the answer yet). So it takes a little while to work on that. 
I keep working to find the little more something.If it's very lucky, it become a book. Sometimes I never can work thing out. So I start with another idea, another seed all over again.


***
For the next blog tour, I'll toss the ball across the country to Tao Nyeu. If you're children's book lover, you know her already. Lucky for me I went to same school(SVA) with her, I had chance to see her work. 
Since I've been waiting for her new book after her irresistibly cute  Squid and Octopus, it will be nice to see what she's been up to.

Thanks for reading .^^ 









Thursday, September 25, 2014

review from BCCB

The twins from The Twins’ Blanket (BCCB 10/11) have returned, and they’re still not very good at sharing, especially sharing their mother (“We have only one mom. This is a big problem”). Now there’s a new little sister, and the twins don’t have much mom attention to fight over, so what do they do? Fight about taking care of their little sister, of course (“The only problem now is we need another one”). It’s refreshing to see a new baby book that focuses on the effect on existing sibling dynamics, and the strong-willed twosome, with the text entirely their dialogue, continues to be authentically endearing and annoying at the same time. Yum’s il- lustrations are spare and airy, with casually careful compositions making clear the childlike ease of the drafting is a deliberate choice; daubs of warm-toned paint (the kids are glowingly rosy-cheeked) gain rhythm from occasional uses of pattern, as in the girls’ polka-dotted dresses. Kids similarly afflicted with the requirement to share will find kindred spirits in the twins. DS

Wednesday, September 17, 2014

The fun book of scary stuff

Emily Jenkins wrote, i illustrated.
It's so much fun to work on Emily's fun(yes, it's fun, told you so in the title)characters.

Puddle

I've been working on this book this summer. And here's the test print, i'm very pleased.

Tuesday, September 16, 2014

Hornbook mentioned..

http://www.hbook.com/2014/09/choosing-books/recommended-books/picture-book-sequels-youve-waiting/
Those strong-willed sisters fromThe Twins’ Blanket are back in The Twins’ Little Sister, a fresh take on both the sibling-rivalry and new-baby themes. Ever competitive, they are now fighting over Mom’s attention when, despite their objections, Mom brings home a new baby sister. Author/illustrator Hyewon Yum’s twins are believably childlike in their directness and self-centeredness. Each step forward in accepting the baby has its source in a self-interested motive, but accept her they finally do — and the twist at the end is both funny and fitting. Collage elements add texture and interest to the gouache illustrations. (Farrar/Foster, 3–5 years)

Monday, September 15, 2014

bccb review for twins' little sister

The twins from The Twins’ Blanket (BCCB10/11) have returned, and they’re still not very good at sharing, especially sharing their mother (“We have only one mom. This is a big problem”). Now there’s a new little sister, and the twins don’t have much mom attention to fight over, so what do they do? Fight about taking care of their little sister, of course (“The only problem now is we need another one”). It’s refreshing to see a new baby book that focuses on the effect on existing sibling dynamics, and the strong-willed twosome, with the text entirely their dialogue, continues to be authentically endearing and annoying at the same time. Yum’s il- lustrations are spare and airy, with casually careful compositions making clear the childlike ease of the drafting is a deliberate choice; daubs of warm-toned paint (the kids are glowingly rosy-cheeked) gain rhythm from occasional uses of pattern, as in the girls’ polka-dotted dresses. Kids similarly afflicted with the requirement to share will find kindred spirits in the twins. DS

Friday, July 11, 2014

Starred review from PW!!

Having solved their blanket-sharing dilemma in The Twins’ Blanket, the twins at the center of this companion book are jostling for their mother’s time and attention. Those resources are in even shorter supply after a baby sister enters the picture. Yum packs a novel’s worth of emotion into her pages, from the twins’ unvarnished initial assessment of their sibling (“The baby is red and ugly. She looks like the bread in a paper bag”) to the hard-to-shake disappointments and jealousies that eventually give way to competitive attempts to be the better big sister. A sensitive, true-to-life story of a family’s growth that never turns saccharine. Ages 3–6. Agent: Sean McCarthy, Sean McCarthy Literary Agency. (Aug.)

Wednesday, June 18, 2014

Anyone who can write a children’s story without a moral, had better do so: that is, if he is going to write children’s stories at all. The only moral that is of any value is that which arises inevitably from the whole cast of the author’s mind.
- C.S Lewis: Of Other Worlds: Essays and Stories

Monday, June 9, 2014

Review from SLJ

The Twins’ Little Sister. illus. by Hyewon Yum. 40p. Farrar/Frances Foster Bks. Aug. 2014. Tr $16.99. ISBN 9780374379735. LC 2013013078.

PreS-Gr 1–The girls from The Twins’ Blanket (Farrar, 2011) are back and have something new to share—a baby sister! At first the twins aren’t so thrilled about the baby taking up all their mother’s time, but soon they realize that if they lend a hand, Mom will have more time to spend with them. They become so involved that they decide they need another baby! This semiautobiographical story puts a sweetly funny spin on the classic big sister plotline. The dual first-person narrative is comprised of dialogue, mostly between the twins as they sort out their feelings about their new sister. Once again, Yum shows a caring Asian family with the emphasis on the sibling relationship. Fans of the first book will be delighted that the blankets, along with the twins’ favorite colors, pink and yellow, make an appearance in the stylistic and painterly mixed-media illustrations. This book has broad appeal for big sisters- and brothers-to-be as well as for twins.–Amy Seto Musser, Denver Public Library

Thursday, June 5, 2014

Review from Horn book

The Twins’ Little Sister

by Hyewon Yum; illus. by the author

Preschool    Foster/Farrar    40 pp.

8/14    978-0-374-37973-5    $16.99    

Those strong-willed sisters from The Twins’ Blanket (rev. 9/11) are back, having successfully transitioned from one shared bed and blanket to two beds and two blankets (one yellow and one pink, reflecting each twin’s decided color preference). Ever competitive, however, they are now fighting over Mom’s attention: “When we take a nap in the big grown-up bed, I want Mom to look at me.” “No, look at me. She’s my Mom!” It’s a problem. And the situation just gets worse when, despite their objections, Mom brings home a new baby sister: “Now Mom’s grown-up bed doesn’t have room for either of us.” Yum is one of our least sentimental picture book creators: her twins are believably childlike in their directness (“The baby is red and ugly”; “She looks like the bread in a paper bag”) and their unshakable belief that the world revolves around them (“Mom has only two arms. Who’s going to hold the baby’s hand?”). Each step forward in accepting the baby has its source in a self-interested motive, but accept her they finally do—and the twist at the end is both funny and fitting. As in The Twins’ Blanket, the picture book format is used inventively, with the yellow-loving twin mostly on left-hand pages and the pink one on the right. The collage elements (Mom’s patterned dress, for instance, and baby’s pink-and-yellow blankie) add texture and interest to the gouache illustrations. This is a fresh take on both the sibling-rivalry and new-baby themes; the unremarked-upon absence of another parent makes this a refreshingly nonpointed single-parent story as well. martha v. parravano

Wednesday, June 4, 2014

First Review for THE TWINS" LITTLE SISTER

THE TWINS' LITTLE SISTER
Author: Hyewon Yum
Illustrator: Hyewon Yum

Review Issue Date: June 15, 2014
Online Publish Date: June 4, 2014
Publisher:Frances Foster/Farrar, Straus & Giroux
Pages: 40
Price ( Hardcover ): $17.99
Publication Date: August 5, 2014
ISBN ( Hardcover ): 978-0-374-37973-5
Category: Picture Books

New-big-sister dilemmas—times two.
Readers of The Twins’ Blanket (2011) will recognize the two adorable, identical twin girls in their polka-dot dresses (and of course, their striped blanket in the background). The twins have two of nearly everything, but they have only one mom, and this is a big problem. As they fight over whom mom will look at during nap time or whom she’ll push first on the swings, their mother’s bulging belly reveals an even bigger problem: a little sibling on the way. When the baby, who “looks like the bread in a paper bag,” arrives home, there’s suddenly not enough room for the twins on the grown-up bed or anyone to push them on the swings. But when the girls notice the attention they receive for helping with the new baby, their ever present competitiveness turns toward fighting over who’s the better big sister. Always reconciled eventually, the twins decide that the baby is kind of cute and that they don’t mind sharing their mom with her. As the competition to care for the baby continues, maybe their only problem now is that they need another baby sister! Ample white space allows the expressive, patterned artwork, created from prints, colored pencil, watercolor and other media, to show the twins’ range of emotions.
A spot-on look at sibling rivalry that will speak to multiples and singletons alike. (Picture book. 3-6)
From Kirkus

Thursday, April 10, 2014

Thursday, April 3, 2014

์Œ๋‘ฅ์ด๋Š” ๋„ˆ๋ฌด ์ข‹์•„ (sisalive)


๋น™๊ธ‹์ด ์›ƒ์Œ ์ž์•„๋‚ด๋Š” ์Œ๋‘ฅ์ด์˜ ์ด๋ถˆ ์†Œ๋™
์–ด๋”˜๊ฐ€์— ๋‚˜์™€ ๋˜‘๊ฐ™์€ ์ด๊ฐ€ ์žˆ์„ ๊ฑฐ์•ผ. ์–ด๋ฆฐ ์‹œ์ ˆ ๊ทธ๋Ÿฐ ๊ณต์ƒ์„ ํ•˜๋ฉฐ ์Œ๋‘ฅ์ด๊ฐ€ ์•„๋‹˜์„ ์•„์‰ฌ์›Œํ–ˆ๋‹ค. ๊ทธ๋ž˜์„œ ๋” ๋ฐ˜๊ฐ€์› ๋‹ค. ๊ทธ๋ฆผ์ฑ… <์Œ๋‘ฅ์ด๋Š” ๋„ˆ๋ฌด ์ข‹์•„>๋Š” ์ด๋ถˆ ๋•Œ๋ฌธ์— ๊ฐˆ๋“ฑํ•˜๋Š” ์Œ๋‘ฅ์ด ์ด์•ผ๊ธฐ๋ฅผ ๋‹ด๊ณ  ์žˆ๋‹ค.

2014๋…„ 03์›” 15์ผ (ํ† ) 12:28:10 [339ํ˜ธ]
๊น€์ƒ์šฑ (์ถ˜์ฒœ๊ต๋Œ€ ๊ตญ์–ด๊ต์œก๊ณผ ๊ต์ˆ˜)
http://m.sisainlive.com/news/articleView.html?idxno=19628

์–ด๋ฆฐ ์‹œ์ ˆ ๋Œ€์ฒ™์ ์ด๋ž€ ๋ง์„ ์ฒ˜์Œ ๋ฐฐ์› ์„ ๋•Œ๋‹ค. ๋‚ด๊ฐ€ ์„œ ์žˆ๋Š” ์ง€๊ตฌ ์ •๋ฐ˜๋Œ€ํŽธ์˜ ํ•œ ์ง€์ ์„ ๊ฐ€๋ฆฌํ‚ค๋Š” ๋ง์ด๋ผ๊ณ  ํ–ˆ๋‹ค. ์•„๋ฅดํ—จํ‹ฐ๋‚˜์˜€๋˜๊ฐ€ ์šฐ๋ฃจ๊ณผ์ด์˜€๋˜๊ฐ€? ๋‚˜๋Š” ์ด๋ฆ„๋„ ์ƒ์†Œํ•œ ๊ทธ๊ณณ ์–ด๋””์ฏค์—๋Š” ๋ถ„๋ช… ๋‚˜์™€ ๋‹ค๋ฅผ ๋ฐ” ์—†๋Š” ๋ˆ„๊ตฐ๊ฐ€๊ฐ€ ์‚ด๊ณ  ์žˆ์œผ๋ฆฌ๋ผ ์ƒ๊ฐํ–ˆ๋‹ค. ์ด๋ ‡๊ฒŒ ํฐ ์ง€๊ตฌ์— ์‚ฌ๋Š”, ๋ช‡์‹ญ ์–ต์ด๋‚˜ ๋˜๋Š” ์‚ฌ๋žŒ๋“ค ๊ฐ€์šด๋ฐ ์–ด์ฐŒ ๋‚˜์™€ ๋˜‘๊ฐ™์€ ์ด๊ฐ€ ์—†์„ ์ˆ˜ ์žˆ์œผ๋žด. ๊ทธ๋Ÿฐ ์•„์ด๊ฐ€ ์žˆ๋‹ค๋ฉด ๋ถ„๋ช… ๋Œ€์ฒ™์ ์ฏค์— ์‚ด๊ณ  ์žˆ์œผ๋ฆฌ๋ผ ์ƒ๊ฐํ–ˆ๋‹ค. ๊ทธ๋•Œ์˜ ๋‚˜์ฒ˜๋Ÿผ ๋•Ÿ๊ตญ๋ฌผ๋กœ ์–ผ๋ฃฉ์ง„ ์–ผ๊ตด์„ ํ•˜๊ณ , ๋˜‘๊ฐ™์ด ์—„๋งˆ์—๊ฒŒ ๋•Œ๋•Œ๋กœ ๊พธ์ง€๋žŒ์„ ๋“ฃ๊ณ , ๋˜‘๊ฐ™์ด ์“ธ๋ชจ์—†๋Š” ๊ณต์ƒ์œผ๋กœ ๋‚˜๋‚ ์„ ๋ณด๋‚ด๋Š” ์•„์ด๊ฐ€ ๋ถ„๋ช… ์žˆ์œผ๋ฆฌ๋ผ ์ƒ๊ฐํ–ˆ๋‹ค. ์–ธ์  ๊ฐ€๋Š” ๋งŒ๋‚˜์„œ, ํ•œ๋ˆˆ์— ์„œ๋กœ๋ฅผ ์•Œ์•„๋ณด๊ณ  ์ง€๋‚˜์˜จ ์ผ๋“ค์„ ์–˜๊ธฐํ•˜๊ณ  ์‹ถ์—ˆ๋‹ค.

๊ทธ๋Ÿฐ๋ฐ ์ด ๊ณต์ƒ์„ ํ˜„์‹ค ์†์—์„œ ๊ฒฝํ—˜ํ•˜๋Š” ์ด๋“ค์ด ์žˆ์Œ์„ ์•Œ๊ฒŒ๋„ ๋˜์—ˆ๋‹ค. ๋ฐ”๋กœ ์Œ๋‘ฅ์ด๋“ค์ด๋‹ค. ํ•จ๊ป˜ ์—„๋งˆ ๋ฑƒ์†์—์„œ ์ž๋ผ๊ณ , ๋น„์Šทํ•œ ์™ธ๋ชจ์™€ ์„ฑ๊ฒฉ์œผ๋กœ, ์˜ค๋ž˜ ๊ฐ€๊นŒ์ด ์ง€์ผœ๋ณธ ์ด๋“ค๋งŒ ๊ทธ ์ฐจ์ด๋ฅผ ๊ตฌ๋ณ„ํ•  ์ˆ˜ ์žˆ๋Š” ์Œ๋‘ฅ์ด ๋ง์ด๋‹ค. ์ง€๊ตฌ ๋Œ€์ฒ™์ ์ด ์•„๋‹Œ, ์ง€๊ธˆ๋„ ๋ฐ”๋กœ ๋‚ด ๊ณ์—์„œ ์•„์›…๊ฑฐ๋ฆฌ๊ณ  ํ—คํ—ค๊ฑฐ๋ฆฌ๋Š” ์Œ๋‘ฅ์ด์•ผ๋ง๋กœ ์ •๋ง ๋‚˜์™€ ๋˜‘๊ฐ™์€ ์ด๊ฐ€ ์•„๋‹Œ๊ฐ€. ๋‚˜๋Š” ์Œ๋‘ฅ์ด๊ฐ€ ์•„๋‹˜์„ ์˜ค๋ž˜๋„๋ก ์•„์‰ฌ์›Œํ–ˆ๋‹ค.



<์Œ๋‘ฅ์ด๋Š” ๋„ˆ๋ฌด ์ข‹์•„> ์—ผํ˜œ์› ๊ธ€·๊ทธ๋ฆผ, ๋น„๋ฃก์†Œ ํŽด๋ƒ„
์—ผํ˜œ์›์ด ์“ฐ๊ณ  ๊ทธ๋ฆฐ <์Œ๋‘ฅ์ด๋Š” ๋„ˆ๋ฌด ์ข‹์•„>๋Š” ์ด๋Ÿฐ ์ด์•ผ๊ธฐ๋ฅผ ๋‹ด๊ณ  ์žˆ๋‹ค. ์ž‘๊ฐ€ ์ž์‹ ์ด ์‹ค์ œ ์Œ๋‘ฅ์ด์˜€๋‹ค๋‹ˆ ์–ด๋ฆฐ ์‹œ์ ˆ ์–ผ๋งˆ๋‚˜ ์•„๊ธฐ์ž๊ธฐํ•˜๊ณ  ์•Œ์ฝฉ๋‹ฌ์ฝฉํ•œ ์ผ๋“ค์ด ๋งŽ์•˜์„๊นŒ. ์ฑ… ์†์— ๋‹ด๊ฒจ ์žˆ๋Š” ์ด์•ผ๊ธฐ๋“ค์€ ์–ผ๋งˆ๋‚˜ ์ƒ์ƒํ• ๊นŒ. ๊ทธ๋Ÿฐ๋ฐ ๊ฐ™์€ ๋ฐฉ, ๊ฐ™์€ ์žฅ๋‚œ๊ฐ, ๊ฐ™์€ ์ด๋ถˆ ๋“ฑ ๋ชจ๋“  ๊ฒƒ์„ ๋˜‘๊ฐ™์ด ๋‚˜๋ˆ„๋Š” ์ด ์Œ๋‘ฅ์ด์—๊ฒŒ๋„ ๊ฐˆ๋“ฑ์€ ์ƒ๊ฒจ๋‚œ๋‹ค. ์„ฑํผ ์ž๋ผ ๊ฐ™์€ ์ด๋ถˆ์„ ๋” ์ด์ƒ ๋ฎ์„ ์ˆ˜ ์—†๊ฒŒ ๋œ ๊ฒƒ์ด๋‹ค. ์„œ๋กœ ์–‘๋ณดํ•  ์ˆ˜ ์—†์–ด ์•„์˜น๋‹ค์˜น ๋‹คํˆฌ๊ธฐ์— ์ด๋ฅด๋Š” ์ด ์Œ๋‘ฅ์ด๋“ค์€ ์ž‘์•„์ง„ ์ด๋ถˆ์„ ์–ด๋–ป๊ฒŒ ๋‚˜๋ˆ„์–ด์•ผ ํ• ๊นŒ? ๊ฒฐ๊ตญ ์ƒˆ ์ด๋ถˆ์„ ๋”ฐ๋กœ ๋งŒ๋“œ๋Š” ์ˆ˜๋ฐ–์—. ์ด์ œ ์Œ๋‘ฅ์ด๋“ค์€ ๋…ธ๋ž€์ƒ‰, ๋ถ„ํ™์ƒ‰์˜ ๋‹ค๋ฅธ ์ด๋ถˆ์„ ๊ฐ–๊ฒŒ ๋œ๋‹ค. ๋ฌผ๋ก  ์›๋ž˜ ๋ฎ์—ˆ๋˜ ์ƒ‰๋™์ด๋ถˆ๋„ ์„œ๋กœ์˜ ์ƒˆ๋กœ์šด ์ด๋ถˆ ํ•œ ๊ท€ํ‰์ด๋ฅผ ์ €๋งˆ๋‹ค ์ฐจ์ง€ํ•˜๋ฉฐ.

์‹ค์ œ ์Œ๋‘ฅ์ด์ธ ์ž‘๊ฐ€, ๋‘ ๋ช…์˜ ํ™”์ž ๋“ฑ์žฅ์‹œ์ผœ

๊ทธ๋ฆผ์€ ๋ฐฐ๊ฒฝ์„ ์ „์ ์œผ๋กœ ๋ฐฐ์ œํ•˜๊ณ , ์ธ๋ฌผ๊ณผ ์ธ๋ฌผ์— ์ง๊ฒฐ๋œ ๋Œ€์ƒ๋“ค๋งŒ์„ ํ™”ํญ์— ๋‹ด์•„๋ƒ„์œผ๋กœ์จ ์ธ๋ฌผ์˜ ํ‘œ์ •๊ณผ ๋™์ž‘์— ์ง‘์ค‘ํ•˜๋„๋ก ๋งŒ๋“ ๋‹ค. ์ธ๋ฌผ์˜ ์ฐจ์ด๋Š” ์„œ๋กœ ๋‹ค๋ฅธ ์ƒ‰๊ฐ๊ณผ ์„œ๋กœ ๋‹ค๋ฅธ ํ—๊ฒŠ ์ธํ˜•์œผ๋กœ ๊ตฌ๋ถ„ ์ง€์—ˆ๋‹ค. ์„ฌ์„ธํ•œ ์™ธ๊ณฝ์„ ์œผ๋กœ ์ธ๋ฌผ์„ ํ‘œํ˜„ํ•˜๋ฉฐ, ๋ถ“์งˆ์ด ๋‚จ์•„ ์žˆ๋Š” ์ƒ‰์กฐ๊ฐ€ ๋ถ€๋“œ๋Ÿฌ์šด ์ฑ„์ƒ‰์„ ํ†ตํ•ด ๋ฐ˜๋ณต๊ณผ ๋ณ€์ฃผ๋ฅผ ๊ฑฐ๋“ญ ์ง์„ ์ด๋ค„ ์ œ์‹œํ•˜๊ณ  ์žˆ๋‹ค. ๋”์šฑ์ด ์ด ๊ทธ๋ฆผ์ฑ…์˜ ์ด์•ผ๊ธฐ๊พผ, ๊ณง ์„œ์ˆ ์ž๋Š” ์•„์ฃผ ์˜ˆ์™ธ์ ์œผ๋กœ ๋‘˜์ด๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๋‘˜ ๋‹ค ์Šค์Šค๋กœ๋ฅผ ‘๋‚˜’๋ผ๊ณ  ์ง€์นญํ•œ๋‹ค. “๋‚œ ํŒ”์„ ๋ป—์–ด ๋™์ƒ ์†์„ ์žก์•˜์–ด”์™€ “๋‚˜๋„ ์–ธ๋‹ˆ ์†์„ ๊ผญ ์žก์•˜์–ด”์ฒ˜๋Ÿผ ๋‘ ํ™”์ž๊ฐ€ ํŽผ์นจ๋ฉด์„ ๋‘๊ณ  ๊ฐ์ž ‘๋‚˜’๋กœ ์Šค์Šค๋กœ๋ฅผ ์ง€์นญํ•˜๋ฉฐ ์ƒ๊ฐ๊ณผ ๋А๋‚Œ์„ ์ด์•ผ๊ธฐํ•œ๋‹ค. ๊ทธ๋Ÿผ์—๋„ ์ „ํ˜€ ๋ชจ์ˆœ๋˜์ง€ ์•Š๊ณ  ์ฃผ๊ณ ๋ฐ›๋Š” ํ™”์Œ์ฒ˜๋Ÿผ ์–ด์šธ๋ ค ๊ธด ํŽผ์นจ๋ฉด ์ „์ฒด๋ฅผ ์ค‘์ธต์ ์œผ๋กœ ์—ฐ๊ฒฐํ•˜๊ณ  ์žˆ๋‹ค. ์‹œ๊ฐ„์„ ๊ณต๊ฐ„์ ์œผ๋กœ, ๊ณต๊ฐ„์„ ์‹œ๊ฐ„์ ์œผ๋กœ ๋ณ€์ฃผํ•ด ๋ณด์ž„์œผ๋กœ์จ ๊ธ€๊ณผ ๊ธ€, ๊ทธ๋ฆผ๊ณผ ๊ทธ๋ฆผ์˜ ๋Œ€์œ„๋ฒ•์ด ์ •๊ตํ•˜๊ฒŒ ์ œ์‹œ๋˜์–ด ์žˆ๋Š” ๊ฒƒ์ด๋‹ค.

๋‚ด๊ฐ€ ์—ฌ์ž๊ฐ€ ์•„๋‹ˆ๊ณ  ๋‚ด๊ฐ€ ์Œ๋‘ฅ์ด๊ฐ€ ์•„๋‹˜์€ ์ž๋ช…ํ•˜๋‹ค. ๊ทธ๋Ÿฌ๋‹ˆ ๋‚˜๋Š” ์—ฌ์ž๋ฅผ ์•Œ ์ˆ˜ ์—†๊ณ , ์Œ๋‘ฅ์ด๋„ ์•Œ ์ˆ˜ ์—†๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ฐ™๊ณ  ๋‹ค๋ฆ„์€ ์–ด์ฉŒ๋ฉด ๊ฒฐ๊ตญ์—๋Š” ์ƒ๋Œ€์ ์ธ ๊ฒƒ์ด ์•„๋‹๊นŒ. ๋” ํฐ ์‹œ์•ผ๋กœ ๋ณด๋ฉด ์šฐ๋ฆฌ ๋ชจ๋‘๊ฐ€ ๋‹ค ์Œ๋‘ฅ์ด์ด๋ฉฐ, ๋” ์ •๋ฐ€ํ•œ ๋ˆˆ์œผ๋กœ ๋ณด๋ฉด ์šฐ๋ฆฌ ๋ชจ๋‘๊ฐ€ ์„œ๋กœ ๋‹ค๋ฅธ ์กด์žฌ๊ฐ€ ์•„๋‹๊นŒ. ๊ฐ™์€ ๋“ฏ ๋‹ค๋ฅด๊ณ  ๋‹ค๋ฅธ ๋“ฏ ๊ฐ™์€. ์ด ์ฐจ์ด ์†์˜ ๋™์งˆ์„ฑ์„, ๋™์งˆ์„ฑ ์†์˜ ์ฐจ์ด๋ฅผ ๋ณด์—ฌ์ฃผ๊ณ , ๋ณผ ์ˆ˜ ์žˆ๊ฒŒ ๋งŒ๋“œ๋Š” ๊ทธ๋ฆผ์ฑ…๋“ค์€ ์ผ๋‹จ ์ข‹์€ ์ž‘ํ’ˆ์ด ๋˜๊ธฐ ์œ„ํ•œ ํ•„์š”์กฐ๊ฑด์„ ๊ฐ–์ถ˜ ๊ฒƒ์€ ์•„๋‹๊นŒ.